Flunky 673

Flunky 673

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The Evil One is dead! Long live the Evil One! Err... I mean Flunky 673!
Briefly, I'm a writer, programmer, web programmer, and aspiring screenwriter. I'm a Detroiter, father, cheap date, book reader, and movie fan. And I'm a hell of a nice guy.

Home page: http://fubar-ed.blogger.com

Posts by Flunky 673

Jewel Staite and her References to Firefly and Stargate: Atlantis

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A recent visitor to this site got here courtesy of a search for “what firefly reference does jewel staite get to drop atlantis.” I’m not sure what exactly they were looking to find, but Jewel Staite gets to make just about whatever Firefly and Stargate: Atlantis references she wants… She was on both shows, and I think fans of both franchises really wish that both were still on the air…

That’s all, just wanted to respond to that…

MTV’s Skins Canceled

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So, uh, it took a little longer than I expected, but I think I called this months ago? Again, is anyone really surprised? I never watched a single episode, but I can draw two possible conclusions on the reasons behind the cancellation: first, in usual MTV fashion, they pushed the line of decency a little too far and the television watching masses just weren’t buying it; and/or secondly, American audiences simply are too prudish to handle a television series based around teen sex and drug use. I’m going to skip the first candidate because it’s fairly obvious: if it’s not extreme, MTV doesn’t give a shit about it these days. However, with the second one, I’m sad to say that the United States has reverted to being prudish about sex and drugs even though we claim to be a free country, with free media, and free speech. We allow drugs in our television shows as long as it shows the negative connotations, and we frown on teen sex though we glorify sex in every way shape and form in every medium where there’s the possibility of making money from it. Still, do you know how prudish we seem about sex?

Let me put it this way, when Janet Jackson went and exposed one of her breasts on television at the Superbowl (yeah, admit it, you know the “incident”), millions of Americans freaked out and had the FCC clamp down on nudity and sex in a harsh way on television. Hell, incidental profanity on television and radio now days can cost the broadcaster hundreds of thousands of dollars in fines! Yet you know what’s on British television just about every night? For lack of a better description, topless phone sex infomercials. That’s right, women baring their breasts — and displaying them uncensored! — on public television while wearing either nothing at all or skimpy panties, soliciting customers for phone sex lines. Just about every night. Public television. Oh, did I mention that British television doesn’t censor half of the profanity that we do?

When did the stiff, prudish Brits become more liberal and free than Americans? Why is it that we hide from sex and profanity in some ways while the rest of the world acknowledge them? You know why teen pregnancy is so damned high in this country? Because we want our kids to think that sex doesn’t exist until they’re eighteen… For thousands of years, right up until we really got to be “civilized” in the early 20th century, children were either in the same room — separated by a flimsy curtain perhaps — or even the same damned bed as their parents when their parents were having sex. They knew about sex. They were probably disgusted by it. They certainly didn’t want to have it until after they hit puberty and hormones started to demand it. But over the last hundred years or so, we want to deny them the education and exposure, to prevent them from knowing about it, and guess what! They’re trying it younger and younger as a result…

Grrr…..

That’s not to say I support what MTV probably did with Skins, but this country has some fucking issues to work out…

The End is Near!

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Ok, maybe that was a bit overly dramatic, but I think it’s relevant and true for the topic I’m addressing today. After ten years of teasing, inside jokes, and epic moments, Smallville’s final episode airs next week. In this season, we’ve seen Clark go through some significant and important changes as he continues along the path to being Superman, and I just want to thank the past and present cast and crew for ten long and enjoyable years of television. Thank you all from the very bottom of my heart!

Right and Wrong

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I am not going to claim that I am a great writer, but I think I’m pretty good. I’m not going to pretend that I’m a genius at marketing, otherwise I’d be quite rich. But one thing I am going to do is throw a bit of my self-respect out the window and pimp my short story “Right and Wrong”, now available for Barnes & Noble’s Nook and Amazon’s Kindle!

As usual, I can’t and won’t claim to be unbiased, and no self-respecting journalist would do a review or critique of his or her own work. So I won’t claim those things, nor will I do those things. What I will do is tell you a small bit about the story so you can make up your mind if you might be interested in purchasing it through either of the above sources.

The story centers around a private detective named Reginald Washington in 1946, a little more than a year after World War II officially ended. A former fighter pilot that lead bomber escort missions into Germany, and a cop before that, Washington is tasked to find a missing young woman in southern Illinois. The catch? He’s black, she’s not, and the town of Green Prairie is deep in Klan country.

If that piques your interest, and you have a Nook, Kindle, or their apps on an Android, iPhone, computer, or other device, why don’t you pop on over to the appropriate store and purchase a copy now!

Freelance Screenwriter

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As of this moment, I’m making myself available as a freelance screenwriter. I’m not limiting myself, at this time, to any genre, medium, or topic. You want a script, drop me an email and we’ll talk terms.

X-Filing Supernatural

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As I told some of my fellow Cinema Studies students last week, I don’t normally recommend watching Supernatural. The reasons are many and varied, but usually boil down to my viewpoint that the show’s themes aren’t terribly original. That’s changed, over the years, but I’m usually quite bored when I watch it, and the usual reason I do watch it is because it comes on right after Smallville.

Every now and then, however, they have a really well written episode, a seriously funny episode, or one that’s fortunate enough to be both. Such an episode was “Clap Your Hands If You Believe” which carried hilarious subtitle of “Fight The Fairies!” (or at least should have), and then there was last week’s episode, “The French Mistake”, the main characters were transported to an alternate reality where they were actors playing their characters. In the soon to be immortalized words of Castle from an episode a few weeks back, “it was too meta…” Jensen Ackles playing Dean Winchester discovering that Dean Winchester was a character being played by the actor Jensen Ackles… The only way to unfuck that is to realize that Ackles was ultimately playing a unsteady version of himself. Nonetheless, it was a funny and well written episode that undoubtedly made a lot of other cinephiles like myself laugh whole heartedly… Assuming I wasn’t the only one that watched it…

So, being in my usual state, I decided to watch tonight to see if they might do anything interesting. Ultimately, it wasn’t the plot that caught my attention, though it was very X-Files-ish, but it was the fact that it actually had two X-Files alumni appearing. “And Then There Were None” starred Mitch Pileggi, known to X-Files fans as Assistant Director Walter Skinner, and Steven Williams, the legendary Mr. X himself! While I always recognize Pileggi, and knew that he’d been playing the role of Samuel Winchester, the primary character’s previously deceased grandfather, Steven Williams has only appeared in 4 episodes according to IMDB, and I didn’t recognize him right off the bat. As the episode went on, has face and voice began to ring some bells, and I looked him up discovering that it was indeed Mr. X.

It took me a full hour after the show went off to make the connection and realize that everything about tonight’s episode was in essence an X-Files tribute. Mr. Kripke, you’re slowly turning me into a fan!

Review: I Am Number Four

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I saw I Am Number Four on Thursday, when I was in a really bad mood, so take some of the things I say here with a grain of salt. That said, it was a decent movie, with good special effects, and well acted. The thing I liked best about it was that I personally didn’t know of any of the actors in the film. That’s not to say they’re unknowns, I just didn’t know them. I love the big name stars as much as anyone, but they can’t and shouldn’t be in everything, and I was pleased that they weren’t here. That said, the lack of big names is probably the reason this movie isn’t doing as well as it probably should. I’ve only seen a handful of commercials for it since its release a week ago, and the only reasons I watched it were because I remembered something vaguely interesting from the trailer I saw months ago, and it was starting shortly after I got to the theater.

Given what Wikipedia has to say about the film and the book it was based on, I’m no longer surprised by the faults I had with the film. The basic story is that 18 aliens from the world of Lorien came to Earth as their world was attacked by another alien race called the Mogadorians. Half of the Loriens were special children, gifted with special powers called “legacies”, each sent with a guardian to protect them. The goal was that they would be sent to Earth to be raised and taught how to fight back so that they could one day rescue their world, but apparently by the time the film starts things have gone worse than they imagined. The Mogadorians, or Mogs as they’re frequently called in the film, apparently have either completely wiped out their world, or are well on their way to doing such, and have followed the 18 to Earth to finish the job. In fact, before the film even starts, two of the children, and at least three of the guardians have been killed by the Mogs. The film opens with the death of Number 3 and his guardian.

Immediately afterwards we meet Number 4, known to humanity as John Smith. My first, irritated, impression of him was that he was a typical privileged  white kid, living the dream life in a tropical area, just like every one of us would do if we could afford to do so. His good life is interrupted by the a glowing and burning light that erupts from his leg, after Number 3 is killed, while he’s at a party on a beach at night. Needless to say, he and his guardian had to immediately uproot themselves and leave for less green pastures and anonymity in Paradise, Ohio. Thankfully, his guardian is a grumpy, pragmatic and practical man by the name of Henri, which slowly began to make me appreciate the characters and the actors cast to play them.

I’m not going to go any further with the plot, because it’s too simplistic and cliche to require further explanation, and that is my chief problem with the film. Everything in it’s been done before, and been done better. Everything from the revelations of who the characters are to the fight scenes has been done before and little in the film is unique or inspiring. The fight scenes would be right at home in the X-Men or Fantastic Four movies. There are “I Want To Believe” posters in a conspiracy theory organizations’ house/hideout straight out of the X-Files. The secrets to finding the other Loriens is in the hands of a missing man that will probably turn out to have betrayed them in the books or a later film. There’s even predictable and cliche high school angst and pranks. None of this is original and there was no interesting spin put on them to keep me interested while they paraded around in front of me. Don’t get me wrong, these things weren’t bad, they just weren’t special. There was a point I felt I could get up and walk out of the movie and still know exactly how everything would end.

The problem with most teen oriented books and movies is that they reproduce the popular thing of the moment, and rarely do anything completely original. J.K. Rowling’s Harry Potter series, while mostly an exception to that rule, gives in to it here and there becoming a teen romance novel briefly instead of a fantasy novel. I Am Number Four clearly focused on being that thing, and as such failed to fully work out the setup of the story. For instance, John clearly knows at the start of the film that he’s not human and that he’s from another world, but he seems to only have a limited knowledge of his people and of his own uniqueness. Henri had to explain to him why he had light shooting out of his hands and how to control it at one point in the movie. If he was from an alien world and he and his fellows were destined to save the planet, shouldn’t he have known how and why they were selected to do so? Otherwise why shouldn’t it have been some other individuals? Similarly, the “legacies” should have had a history on their home-world that would have been carried through legend if not documented fact, so he should have been quite aware of his potential, even if he was only just discovering it. Finally on this point, how could he be properly trained and prepared to save anyone without knowing anything about these legacy powers?

What made John and the other eight so special that the Mags had to hunt them down and eliminate them after conquering their world and wiping out the population? Well, we don’t find out in this movie, and probably will never see an answer in a sequel to this movie because I doubt that there will be a sequel. The book series may or may not have continued, and so the answer may be there, but the marketing support for the film isn’t sufficient enough to keep the movie in the awareness of movie goers, and therefore likely will not net enough revenue to warrant a sequel.

The movie has problems because, I suspect, the underlying story has problems but in truth I’ve seen far worse films than I Am Number Four. Would I pay money to see it again? No, not likely, but I wouldn’t change the channel if I came across it on TV. Review score would be 7 out of 10.

Smallville: Michael Rosenbaum Returns as Lex Luther

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Although I’m a fan of many things, I have always consistently been a fan of Superman. I confess that I haven’t often picked up Superman comics, nor have I bought a lot of Superman memorabilia or spent a lot of money on my Superman interests. But I have always been a fan of Superman. Naturally, I’ve been watching Smallville since the show debuted ten years ago, despite the often tedious formulaic nature of the show. None of the negatives mattered, the show was and is great! And you couldn’t have a better villain than Lex Luthor, portrayed by Michael Rosenbaum. Eventually, Mr. Rosenbaum left the show for multiple reasons, and the producers panicked, and tried to keep Lex Luthor a part of the show without recasting the role.

I think the idea was that they would eventually convince Mr. Rosenbaum to return to the show, so they didn’t want to recast his role. Of course, he left right after filming a season finale centered around Lex Luthor’s final discovery of Clark Kent’s secrets, so they couldn’t just go on without the character either. As a result, they played games with us… Having an actor act out the role, but never showing him from the front, or always in darkness with only enough clothing visible to reveal that it’s supposed to be Lex.  As they probably expected, and you certainly expect, this sucked. Badly. So after a while, they killed off Lex, which completely screws the continuity of the Superman/DC Universe. Since the death of Lex, we’ve been visited by a lot of major Superman villains, and none have had the same staying power as Lex had. I’m sure Smallville‘s ratings have suffered as a result, and they finally scheduled the end of the series with season 10.

But that’s not where the story ends. In season 9, new Lex Luthor clones sprung up, and rumors began to surface that Mr. Rosenbaum was returning for the final season. Those rumors were repeatedly squashed by both sides, but they persisted nonetheless. We eventually saw a clone of Lex that was an old man, and began to think that they finally decided to recast the part, especially since a younger clone was growing up so rapidly.

Then the news finally hit about two weeks ago (when I originally started writing this post): Michael Rosenbaum is returning to Smallville as Lex Luthor in the series finale! This past Friday, Mr. Rosenbaum had this to say via his Twitter account: @mrosenbaum711: “Guess who’s on the SMALLVILLE set right now? Good to see some familiar faces. What a day!!!!!!!!”

Indeed, welcome back Michael, and thank you very much! If I may speak for the entire Smallville fan community, WELCOME BACK!!

A Distant Rumble…

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Storms are interesting. First they start as a distant rumble, nothing more than faint noises on the wind, too distant to be concerned about. Slowly and mostly unseen, they start gathering strength, and the world changes, subtly at first, but with ever growing magnitude. Eventually, you’re caught in a raging storm beyond control of any but God himself!

Sometimes, Hollywood and the television industries operate in the same way. Whispered dreams turn into quiet conversations. Those, in turn, turn into wishful thinking among increasingly large groups of people. The quiet demand becomes a conscious thought in the heads of studio executives, and aides and personal assistants are put into a frenzy. Negotiations take place, money gets allocated, and then finally, the perfect storm of film-making begins.

Today, I heard a distant but welcome rumble. It seems that the Science Channel has taken a strong interest in Firefly. The Science Channel, if you’re unaware, isn’t exactly known for running science fiction television and movies like Siffie, the channel formerly known and loved as The Sci-Fi Channel. No, the Science Channel is owned and run by Discovery, the same as The Discovery Channel, which means its focus is primarily on science fact instead of science fiction. So this matching of Firefly and the Science Channel is unusual to say the least. But it’s a distant rumble nonetheless.

What this means is that there are powers at work, high in the ranks of television executives, that are fond enough of Firefly to negotiate for the rights to air it in its entirety, pay Dr. Michio Kaku a lot of money to do his segments, and of course advertise and promote the airings. This is a lot of money and a lot of effort to put into a television show that was last actively produced (not counting the film Serenity) nearly a decade ago! This rumbling isn’t in your imagination, it’s real thunder.

But it is still at a distance…

As the follow up article at Entertainment Weekly states, there are a lot of hurdles to actually reviving the series and putting in back into production. It would still take quite a large sum of money to buy the rights, bring back Joss Whedon and cast members such as Nathan Fillion, Morena Baccarin, Jewel Staite and others that are now working on other projects, and actually get to making episodes, but this is a rumble. Maybe nothing will come of it. Maybe fans like myself are just dreaming. Maybe this storm will disperse before it ever gathers critical mass.

But maybe this is the beginning.

Years ago, Fox canceled yet another television series I dearly loved, Futurama. Well, despite Fox’s efforts, the show never really went away. It was dormant for a few years, but now there are new episodes being produced with the original cast. And of course, we are all too painfully aware that a lot of classic television series from prior decades have been revived and respawned as new franchises. So I would say, yes, there is hope that Firefly may return. The storm may yet gather critical mass. If the sale of the rights may be out of the question, it’s possible that a brewing storm of support and interest could spur Fox into bringing it back.

At this point anything is possible.

The question on my mind, is would the actors willingly leave their current projects to return to Firefly? Nathan Fillion seems like he might, though I’d absolutely hate to see Castle end. Would Morena Baccarin leave V? Would Gina Torres leave Huge? How about Summer Glau with The Cape? And what about the actors for characters that were killed off in Serenity, like Ron Glass’ Shepherd Book and Alan Tudyk’s Wash? If this storm is to gather the hurricane strength winds it’ll need, these questions will need to be resolved.

Still, we’ve been in the desert a good while now, and I think we could use a little rain. This distant rumble is good news to me…

My Take on KillZone 3

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Although I’m not going to go into any detail, I’ll confess that I’m biased in favor of my PS3 rather than m Xbox 360. It feels better put together, seems to have more power, and I don’t have to pay to play online with my friends. So, yes, once again I am biased. In the interests of full disclosure, this isn’t exactly a professional, journalism oriented site. Strictly speaking, it’s a blog, though I’m trying to be honest, objective, and fair in most cases. Except for when it comes to my feelings towards Siffie.

Now, I could tell you the basic storyline of KillZone 3, but I don’t even know most of it. I can tell you what I know based on the ending of KZ2 and what I’ve seen in the promos for KZ3, but you can find that on just about any site. Not being a real journalist does hinder a good preview/review because I haven’t seen any more than what the average person has: I didn’t exactly receive a review copy from Guerrilla Games. Still, from what I’ve seen in the open beta, the maps are incredibly detailed, huge, and flat out beautiful. The Frozen Dam map is quite nice, and I love the fact that it’s not even remotely symmetrical. Symmetry is fair, and is often present in multiplayer games, especially in first person shooters, but it makes learning a map entirely too easy. The lack of symmetry makes them interesting and gives players spending time to learn them a huge advantage. I love that.

One of the biggest improvements in the game over KZ2 is the frame rate. In the previous game, the frame rate was usually pretty good but it often would get bogged down if there were a lot of players in the same area, dropping grenades, etc.. From what I’ve seen in KZ3, aside from two occurrences a few seconds apart, there was no noticeable slow down in the 6+ hours that I’ve played in multiplayer. This is good. This is really good.

Guerrilla has tweaked the multiplayer classes a bit from KZ2, and it’s obvious that they learned a lot from the prior game. For starters, they’ve eliminated the Assault class, with the rocket launcher as its default weapon. The Saboteur has migrated into the Infiltrator and the Scout has been renamed the Marksman. The Engineer and Tactician are still there, and still provide similar roles to what they did in the prior game, but there are some things you’ll need to know.

First, the primary and secondary abilities of each class now have three levels each, offering increased functionality and abilities with increasing skill level. For instance, the Marksman primary ability, cloaking, only works for a limited time. Unlocking the next level allows you to remain cloaked until you kill an opponent. Unlocking the top level allows you to remain cloaked even when killing an opponent if you use a silenced weapon. The secondary ability, which works automatically, keeps the sniper off the enemy radar to an extent. Maxing it out, and it completely disables the enemy radar and the Tactician’s marking ability within 15 meters.

This is great. But the drawback, versus KZ2, is that you no longer have the ability to mix and match secondary abilities from other classes. So, my KillZone 2 Combat Engineer (an engineer using the Tactician’s secondary ability to summon air support drones combined with the primary turret building ability) is history.  I understand why it’s gone: it could severely hamper teamwork, and often had results unforeseen when Guerrilla released KZ2. For instance, my Combat Engineer could hold down an area by himself by building two automated turrets, adding air support, and getting behind cover with a shotgun. So far, in KZ3, the only time I’ve been able to have two turrets simultaneously is after I’ve gotten killed, and came back to build another one. A slight irritation I have with the new version of the Engineer is that he no longer comes with the shotgun, but now is equipped by default with a light machine gun that isn’t nearly as effective. On the other hand, one of the maxed out abilities of the Engineer is the ability to hack enemy turrets, and take control of them. I haven’t done that yet, but frankly I’m drooling over unlocking it.

Another change is that the C4 explosives are no longer a secondary ability of the Saboteur/Infiltrator. It is now available to all classes, once unlocked, and can replace grenades. Personally, I prefer grenades over the C4, but I like having the option to use it and still have my normal secondary abilities.

Perhaps the biggest game changer is what has happened to the Tactician. No longer does he wield spawn grenades to give his allies a tactical advantage at any point on the map. Now, like Capture & Hold objectives, there are several specific spawn points on the maps that the Tactician must capture in order to utilize. And just like Capture & Hold objectives, they can be captured by the enemy by simply being within a certain radius of the spawn point. The more Tacticians in the area, the faster it gets captured. This change prevents a common occurrence from KZ2: a Tactician would run into an objective and drop a spawn grenade right there, which would cause extremely chaotic battles and cause objectives to be lost or won entirely too easily. Guerrilla to fix this early in KZ2 by eliminating the temporary invulnerability when spawning in at locations other than the base, but ultimately it still caused a tremendous amount of chaos, and grinding through lives. The new system works better, I think, though it makes camping them entirely too easy. Once you know where the spawn points on a map are located, it’s just a matter of finding a good position to be the spawn camping bastard that everyone hates.

Another minor gripe is that the Marksman’s tier 3 primary skill allows them to remain cloaked after making a kill with a silenced weapon, but the only silenced weapon the Marksmen has regular access to is a silenced pistol. There is no option for a silenced rifle, assault or sniper, in his arsenal. Besides the silenced pistol, I think there’s a silenced submachine gun that the Tactician has access to, but, needless to say, the game’s sniper class should have normal access to a silenced sniper rifle, even if it’s not as powerful as the mid or top end rifle.

All in all, I’m very impressed with the game, and I’m really looking forward to seeing everything else that it has to offer. Though I’m currently unemployed and short on funds, I’ve already pre-ordered my Helghast edition, primarily for the cloaking sniper figurine. I’m even weighing the cost of getting the PS Move and Sharpshooter accessories to try to take the experience to another level, but I’m not yet convinced to do that… For those of you interested in a rating, I’d have to give KZ3 something in excess of 9.0 but not quite a 10. It’s really, really good, but then I’ve only seen a single level.

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